Judy Huxtable Scream and Scream Again
| Scream and Scream Again | |
|---|---|
 Theatrical release affiche | |
| Directed by | Gordon Hessler |
| Written past | Christopher Wicking |
| Based on | The Disorientated Homo by Peter Saxon |
| Produced past | Max Rosenberg Milton Subotsky Louis Yard. Heyward |
| Starring |
|
| Cinematography | John Coquillon |
| Edited by | Peter Elliott |
| Music past | David Whitaker |
| Production | American International Pictures |
| Distributed by | Warner-Pathé (Britain) American International Pictures (USA) |
| Release dates | Jan 1970 (U.k.) Feb 2, 1970 (United states of america)[i] |
| Running fourth dimension | 95 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $350,000[1] |
| Box office | $1,217,000 (US/ Canada rentals)[2] |
Scream and Scream Again is a 1970 British science fiction conspiracy thriller moving picture starring Vincent Toll, Christopher Lee, Alfred Marks, Michael Gothard, and Peter Cushing. It is based on the novel The Disorientated Homo (1967) past 'Peter Saxon', a business firm pseudonym used by various authors in the 1960s and 1970s.
It marks the second teaming, after The Ellipsoidal Box, of actors Price and Lee with director Gordon Hessler. Toll and Lee only share a brief scene in the movie's climax. Cushing, in his brief scene, shares no screen time with either Price or Lee.
Although the film's title, and clan with stars Price, Lee and Cushing, might suggest a violent horror flick, the violence in the film is mostly understated and/or off-screen, while the plot owes more than to films like Invasion of the Body Snatchers or 1970'due south era 'conspiracy thrillers' like The Parallax View.
Overlooked during its initial release, the film has since become a minor cult classic, with the Overlook Moving picture Guide acknowledging information technology every bit: "one of the best scientific discipline-fiction films made in Britain."
Plot [edit]
The motion-picture show's construction is fragmented, as it alternates betwixt iii plot threads.
A homo jogging through suburban London grabs his heart, and collapses. He wakes up in a hospital bed. The nurse tending him gives him water and leaves. He pulls downward the bed covers to discover that his lower right leg has been amputated. He screams. Later scenes repeat the aforementioned activeness as his other limbs are amputated.
Elsewhere, intelligence operative Konratz (Marshall Jones) returns to his dwelling house state, an unidentified Eastern European totalitarian state. After beingness debriefed past Captain Schweitz (Peter Sallis), Konratz steps effectually the table and places a hand on Schweitz's shoulder, paralysing then killing him. Konratz is later reprimanded by his superior Major Benedek (Peter Cushing) for his torturing an escapee, Erika (Yutte Stensgaard ). Konratz kills Major Benedek in the same way.
In London, MPS Detective Superintendent Bellaver (Alfred Marks) investigates the rape and murder of a immature woman, Eileen Stevens. Supt. Bellaver goes with young forensic pathologist Dr. David Sorel (Christopher Matthews) to the clinic of her employer Dr. Browning (Vincent Price), but he provides no useful information. A young woman, Sylvia (Judy Huxtable), is picked up at the Busted Pot Disco by the sinister Keith (Michael Gothard). She is killed by Keith, and her body is later constitute drained of blood.
The two young women accept apparently been raped and murdered by the same individual. Supt. Bellaver sends out several young policewomen to try to entrap the killer. WPC Helen Bradford (Judy Blossom), wearing a wire and electronic tracer, goes to the aforementioned guild where she lets herself get picked up and driven away by Keith. The police follow and arrive just after Keith has attacked her and appears to be drinking blood from her wrist. With apparent superhuman strength, Keith fights off the absorbing constabulary and drives off, showtime a long chase sequence by car and on pes through suburban London, during which Keith tears off his arm in an endeavour to escape, and which ends at an estate where he throws himself into a vat of acrid in an outbuilding. The edifice turns out to vest to Dr. Browning, who explains that he uses the acid to destroy possible pathogens in his biological experiments.
The narrative strands begin to come up together when a senior UK Government officer, Fremont (Christopher Lee) meets Konratz at London'south Trafalgar Foursquare. Soon subsequently, Supt. Bellaver is ordered to finish his investigations, but Dr. Sorel decides to continue on his own. Accompanied by WPC Bradford, he goes to Dr. Browning'south laboratory, seemingly unoccupied, merely she and their car disappear. After, she wakes upward restrained in the same hospital bed with the same nurse attending her equally the dismembered jogger.
Returning to Dr. Browning'due south house, Dr. Sorel discovers Browning is about to surgically operate on WPC Bradford, in role of a plot to replace human beings with composites, bogus beings. Konratz appears, and is angry that Dr. Browning'south actions take interfered with his part of the plot. When Browning expresses misgivings, he and Konratz struggle. Konratz is pushed into a vat of acid in the laboratory room. Fremont appears and struggles with Dr. Browning, who also falls into the acid. Fremont, Dr. Sorel, and WPC Bradford escape, although to an uncertain future.
Cast [edit]
- Vincent Toll as Dr. Browning
- Christopher Lee as Fremont
- Peter Cushing as Benedek
- Judy Huxtable (billed as "guest star") as Sylvia, 1st young woman at disco
- Alfred Marks as Detective Superintendent Bellaver
- Michael Gothard as Keith
- Anthony Newlands as Ludwig
- Peter Sallis as Schweitz
- David Club as Detective Inspector Strickland (terminate-championship credit simply)
- Uta Levka as Jane, nurse
- Christopher Matthews as Dr. David Sorel
- Judy Bloom (billed as Judi Bloom) every bit WPC Helen Bradford
- Clifford Earl as Detective Sergeant Jimmy Joyce
- Kenneth Benda every bit Professor Kingsmill
- Marshall Jones as Konratz
- Amen Corner equally themselves
- Yutte Stensgaard as Erika, escaping woman (uncredited)
- Julian Holloway as Detective Constable Griffin (opening-title credit just)
- Nigel Lambert as Ken Sparten (uncredited)
- Kay Adrian every bit Nurse (uncredited)
- Edgar D. Davies every bit Rogers (uncredited)
- Rosalind Elliot as Valerie, 2d immature adult female at disco (uncredited)
- Leslie Ewin as Tramp (uncredited)
- Lee Hudson equally Matron (uncredited)
- Gertan Klauber as Edge Guard (uncredited)
- Olga Linden as Eileen Stevens (uncredited)
- Stephen Preston as Fryer (uncredited)
- Joe Wadham as Wadham, Police Driver (uncredited)
- Lincoln Webb as Wrestler (uncredited)
Production [edit]
The moving-picture show is based on Peter Saxon's science fiction novel The Disorientated Man. For the most role, the moving-picture show follows the novel quite closely.
In the novel, the antagonists turned out to be aliens. According to an interview with Christopher Lee, the characters were indeed going to exist revealed every bit aliens in the movie's climax, just all connections to that fact were cut out of the movie before it was released, leaving the enigmatic villains' backgrounds unexplained.[3]
Rights to the novel were bought by Milton Subotsky of Amicus Productions who got financing from Louis Heyward head of European operations for AIP.[one]
There was a script by Subotsky but it was regarded every bit unplayable.[4] Gordon Hessler says he got Chris Wickling to heavily rewrite it:
That was really a pulp volume, a throwaway book that you read on a train. There was naught in it, simply empty pieces of action. Just it was Chris who gave it a whole new level by using information technology equally a political procedure of what might happen in the hereafter. That is what made the moving-picture show, he's the one that came up with all those ideas, yet he still managed to keep the nuances of the sort of pulp fiction novel.[five]
The eponymous theme vocal for the film was past Amen Corner, who appeared in the motion-picture show singing it. This was one of their last appearances before Andy Fairweather Low departed for a solo career after a brief career as Fair Weather condition.
This marked the first time that horror-motion picture icons Peter Cushing, Vincent Price and Christopher Lee appeared in the same feature-motion picture. The three actors however, practise not share screen space. Cushing does not appear with either Lee or Toll - only appearing in a cameo. Lee and Price share a brief scene towards the film'due south climax.
The film was made in the span of a month, starting on five May 1969 at Shepperton, having location work washed at Trafalagar Square and Chertsey, Surrey. Though the picture show has a release date of 1970, the copyright lists 1969.[6] In the terminal scene, Christopher Lee's Bentley has a tax disc with an death date of December 1969 thus strongly consistent with a product of 1969.
An episode of The X-Files, "Kill Switch", depicts Agent Fox Mulder in a virtual reality experience during which, like this film's victim, nurses periodically amputate his limbs while he sleeps.
Reception [edit]
Reviews from critics were mixed. Howard Thompson of The New York Times wrote that the picture "tools along intriguingly for a while with some genuine possibilities earlier taking a nosedive" when it "ends up in still some other mad scientist's lair."[7] Diversity wrote that the script "has virtually as many holes as the contrasted victims of the activity. Nevertheless, such criticism is completely irrelevant to the film'south gripping momentum of horror."[8] Roger Ebert gave the flick two stars out of 4, calling it "ridiculous" yet "impossible to dislike because they inquire only that you share their sense of the absurd. The fascinating thing about this i is that information technology makes absolutely no sense at all until maybe the last 10 minutes. None."[9] Cistron Siskel of the Chicago Tribune gave the film 1 star, calling information technology "a tearing and sick movie ... that begs to be included in our almanac worst xx listing."[10] Kevin Thomas of the Los Angeles Times chosen the film "a superb piece of gimmicky horror, a science fiction tale possessed of a brownie more terrifying than any of the Gothic witchery of 'Rosemary's Baby' ... It'southward 1 of those movies where you take no idea what'southward going on until the end, but once there, at that place's no letdown."[11]
On Rotten Tomatoes the flick has an approving rating of 64% based on 14 reviews, with an average rating of v.45 out of 10.[12]
References [edit]
- ^ a b c Ed. Allan Bryce, Amicus: The Studio That Dripped Claret, Stray Cat Publishing, 2000. p 56-61. ISBN 9780953326136
- ^ "Large Rental Films of 1970", Variety, half dozen Jan 1971 p 11
- ^ Pohle, Robert; Hart, Douglas; Pohle Baldwin, Rita (2017). The Christopher Lee film encyclopedia. Lanham: Rowman & Littlefield. p. 127. ISBN9780810892705. OCLC 973222703.
If that [being an alien] wasn't clear, it was either in the cutting or the story, because that indeed was meant to be the solution.
- ^ All's Well That Ends: an interview with Chris Wicking Monthly Film Message; London Vol. 55, Iss. 658, (November 1, 1988): 322.
- ^ George G. Reis, "An Interview with Gordon Hessler", DVD Drive In accessed 27 February 2014
- ^ "xix Things You Must Know About Scream and Scream Again". The Audio of Vincent Price. February 7, 2017. Retrieved October 10, 2018.
- ^ Thompsom, Howard (July 9, 1970). "Neighborhoods Get Horror Picture Dual Bill". The New York Times: 44.
- ^ "Scream and Scream Again". Variety: sixteen. February 11, 1970.
- ^ Ebert, Roger (Feb 18, 1970). "Scream And Scream Over again". RogerEbert.com . Retrieved Oct x, 2018.
- ^ Siskel, Gene (Feb eighteen, 1970). "Scream Again". Chicago Tribune. Section ii, p. five.
- ^ Thomas, Kevin (February 21, 1970). "'Scream Again' Scary Scientific discipline Fiction Tale". Los Angeles Times. Function II, p. 9.
- ^ "Scream And Scream Again (Screamer) (1970)". Rotten Tomatoes. Fandango Media. Retrieved Baronial viii, 2020.
External links [edit]
- Scream and Scream Again at IMDb
Source: https://en.wikipedia.org/wiki/Scream_and_Scream_Again
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